Tag Archives: Publishing

Authonomy.com Review

Authonomy.com Review

I first came across authonomy.com on Book Army’s closing down page, which was perhaps an portentous start. Given Book Army’s failure to attract a significant user base, it seemed there are numerous lessons that publishers could take away, but if my first impressions of Authonomy are right, then publishers still don’t get the Internet. Publishers seem to view the Internet through the same old media lens that they founded their businesses on, and while they understand user generated content and social networking are two faces of the new Zeitgeist, they fail to appreciate how exactly they can tap into the new world of media.

Authonomy suffers from the same problem that bedevilled Book Army, which is it lacks the passionate zeal that separates the great and good from the morass of mediocrity. Authonomy looks like an exercise in corporate expenditure, and while giving the site a fresh skin and adding some of the missing integration features would certainly help, the fact they haven’t pushed those features, suggests it’s a website being run more as a job than as a hard worn destination for the reams of readers and writers browsers.

To give Authonomy one last chance to redeem itself, I visited the site for one last time, only to be greeted by the site’s error page. While this could be taken as evidence that publishers don’t understand or appreciate the 24-7 nature of the Internet, what’s worse is it shows their lack of appreciation for a properly designed error page.

Publishers–and in particular HarperCollins–shame on you.

Literature to Divorce Paper

Literature to Divorce Paper
There is absolutely no sense and no reason why written literature should be married to paper, but, nonetheless, I loathe their impending divorce with unbridled passion. Neither the promise of carrying 1,000s of searchable e-books in my pocket nor the promise of almost instant access to 100,000s of other e-books can sway me; my mind simply won’t let go of the idea that the natural spouse, chaperone and paramour for literature is, quite frankly, paper.
 
My music collection, news reading, address book, social calendar, and even shopping slipped into the digital age with barely a missed heartbeat. As did my television, telephone, camera, and the reams of paperwork demanded by the bureaucracy of contemporary living. Although my radio listening is currently stuck in a halfway house—with 1/2 my radio coming over the internet and the other half still coming over the analogue airwaves—that’s due to the ineptitude of the radio industry rather than any intrinsic technical or social grounds. However, for my collection of books the very idea of going digital fills me with a resonate abhorrence, a sure sign that a taut and far-ranging emotional battle looms with the onset of e-literature.
 
But even as I build up my resolve for the battle ahead, I can feel in my bones it’s a fight that cannot be won. As the digital champions make patently clear, e-books will take up so much less space than their cullulose forbears that they will single-handedly empty all world’s bookcases, freeing up enough wallspace to cover the great wall of china. Travelling to work, or on holiday? Then why not take your entire library with you. Instead of searching one reference book at a time, why not search all your reference books in one go? Read it on your computer, or someone else’s computer, or on your phone, or on your well-designed, not to mention desirable e-reader, or perhaps even your iPad. E-books also make it far easier and cheaper to publish than ever before, but While that might suit vanity publishing it seems unlikely to make many inroads into literature, which requires dedication and exertion that vanity alone can’t provide.
 
However, even though Amazon have announced e-books for their Kindle e-reader are now outselling hardback books, it’s still early days for e-books. As the early adopters are learning, there all manner of questions that assail the reader. With e-books being published in more than 10 e-book formats, each with differnt features, consumers need to decide which format they should go with? To make matters worse there’s all manner of competing e-readers on the market with each e-reader working with different set of formats. While consumers will find their preferred e-reader to be a matter of individual taste, since tastes and technology change consumers should be wary of their e-book library locking them into a single e-reader vendor.
 
For those with even the smallest of book collections, the cost of moving from paper books to e-books will be significant, with e-books often costing the same or even more than their paper counterparts. Although casual readers are unlikely to bother to buy their existing books as e-books, for those with a modicum of collector’s pride the idea of having 1/2 their collection in paper and the rest as e-books is likely to be irksome.
 
One issue that will never entirely go away, is that e-readers require electrical power to be used. While this might not be much of a concern to those with the always-on lifetsyles of the digitally developed world—except, perhaps, when taking long journeys or when reading near water—to the rest of the world power is a luxury rather than a commodity, making e-books yet another facet of the world’s widening digital divide.
 
Some of these issues will lessen in time. Ever increasing battery life will weaken one of the key arguments against e-readers, and as the e-book marketplace matures only a handful of formats will survive, making it easier to move books from e-reader to e-reader. But for some the ability to read the words in a book is only half the story. E-readers remove the tactile relationship that readers have with a book. From the turning of the pages, through to the folding the corner to remember a place, for some using the format of a book itself is an important part of the reading process. Some readers love permantenly scribbling their thoughts in the margin, or passing a cherished book on to someone else once they’ve finished, all of which have only pale imitations in the digital world.
 
As it’s only a matter of time before the divorce of written literature and paper is complete, it looks like a long, traumatic transition phase is inevitable for us children of the book. But until such time arrives, we should all continue to enjoy the feel of paper between our fingers, the intricate smells of second-hand books, and the endless pleasure of reading books in all those places e-books will never dare to go, like the bath.

Project Gutenberg: Raising Legal Literacy

Project Gutenberg: Raising Legal Literacy

For most of the world’s 2 billion Internet users illiteracy isn’t a daily concern; for 20% of the world’s adults it’s, quite simply, a way of life. This is why when Michael S Hart set-up the world’s first digital library, Project Gutenberg, in 1971, he felt providing free access to the world’s seminal literature was an important step on the road to universal literacy. The project took on the slogan to “Break Down the Bars of Ignorance and Illiteracy” and with over 30,000 books currently available its gone along way to giving more people  access to literature than ever before.

As a US-based organisation Project Gutenberg relies on US copyright laws, allowing books to be freely published once they enter the Public Domain, which, depending on a book’s publication date, can vary from 28 years after publication through to 70 years after the author’s death. Since laws are jurisdictional, for an Internet user it might or might not be legal to possess a book published by Project Gutenberg depending on the user’s local  copyright laws. Coupling jurisdictional copyright differences with the shifting demands of consumers, producers, and prosumers, and the world of digital copyright laws are evolving quicker than most  legislators can keep up with, making the legal status of each of Gutenberg’s books harder for readers to ascertain with the passage of time.

Therefore, even although Project Gutenberg contains the largest digital library of freely downloadable literature, the price of entry is no longer literacy but is now cross-jurisdictional legal literacy. So while Michael S Hart and his cohorts continue to grow their library and lower the bars of Ignorance and Illiteracy, they do so by making legal literacy, quite simply, a way of digital life.

Into the Blogosphere

Into the Blogosphere

After previous trysts with blogging, tweeting and all manner of odd, online publishing experiments, it’s once again time for me to enter the fray. Although it would be nice to avoid cliché so early on, my gut tells me this blog is going to be different, just like every other blogger out there since time immemorial. Not only will I post regularly and build the blog out through sensible linking, but I’ ll also stay focused on the blog’s subject: my adventures through the world of literature to decipher the role of literature to the contemporary reader.

So here it is, Verso-recto, a sojourn around the kingdom the written word. A back to front exploration through the world of words, the glories of Recto-Verso printing, and the halcyon dreams of writers past and present. I will stumble at times, I will lose perspicuity, and I might never touch on the hallowed ground of perspicaciousness. But let those future failures not cloud this beginning, as I step onward to explore that cherished blessing of  culture that is literature. The written word awaits.